bighealeysource said:
I don't know Rick, can't see you in white gloves with your Nasty Boy !
Regards,
Mike
Mike,
They'd probably keep the grease from beneath my fingernails.
The description of the photo is as follows:
"For these images, architects Whitney Smith and Wayne Williams enlisted the talents of their friend, famed photographer Julius Shulman. Shulman staged the photo on the spur of the moment, with a customer's red car and the wife of one of the architects, driving her own Austin-Healey convertible, with white gloves, in the foreground. Anaheim's ubiquitous orange trees, loaded with fruit, border the blacktop in the distance."
Don't know if the white gloves and fancy bracelet was Mrs. Shulman's regular garb for Healey driving, but it makes a wonderful picture.
Here's another description of the picture:
"The above image by Shulman has a fantastic story. Shulman reported that his architect friends Whitney Smith and Wayne Williams were commissioned by Mobil Gas to do a mockup for a new type of design for the Mobil Gas image, including the flying horse. In the background of this photograph there is a story. āThe architectās wife was there, ā Shulman said. āShe was driving an Alfa Romeo convertible, with white gloves. I had her pull her car up just far enough that the bumper would not come inside that shadow line. And then her arms would show. Sheās just coming in to get gas, to that station. Itās a story-telling picture.ā In fact, it was her own car along with a customerās red convertible. The moment the customer pulled in, Shulman ran over and asked, āWould you mind? I have a young lady with a car waiting for me, with a convertible.ā Shulman asked, āWould you stay in your car while I photograph it? Iāll have the attendant talking to you, āHow many gallons do you want?ā ā Shulman staged this image in such a natural way."