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Some incredible battle scenes and gritty realism throughout, and, similar to the original book and movie, a youth's loss of innocence is made painfully visible.
Tom, I saw it when it first came out. I thought it was a pretty good adaptation. It conveyed the original message well and was a visual feast in the process.
Visual (and aural) feast for sure. I think the 1930, the 1979, and the 2022 movie adaptations all had their strong points. For me, the 2022 was the strongest - altho' all three took liberties with Remarque's narrative.
Brings Trumbo's "Johnny Got His Gun" (book and movie) to mind, eh?
I read the book a couple years ago in Freshman English (which is sort of funny since it was translated into [Australian] English) and I consider it one of the best works I have ever read. With any great book, it is difficult to translate prose into a great film. The 2022 version resisted the temptation to use the impact of graphic representation to overwhelm the narrative. Beautiful is the wrong word to use to describe such a poignant film. But, to my mind, it was powerful while in my mind still conveying the terror, both banally timeless and uniquely modern, felt by Remarque and his compatriots.
Tough to translate into a couple hours of film too, so much can be lost trying to make scenes make sense yet get the number of characters and timeframe to fit runtimes.
I've read books I enjoyed but didn't like the film because of that.
Thanks Mike. I had similar feelings after I read Doctor Zhivago back in the 1960s, then saw the movie. Not just "apples to oranges" - more like "apples to carburetors".
I remember Fred Allen (?) once saying that when people had radios, they used their imagination for what the scene looked like. Then along came television, and the imagination was squelched.
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